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news HEADLINES |
a letter from representative sara gelser to corvallis resdents
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Will you please help me return to Salem?
With Labor Day just around the corner, the 2008 election cycle is in full swing.
I am focused on building a campaign that will lead to victory in November.
In my first full term in the Legislature, I passed Karly’s Law which made Oregon
kids safer through improved child abuse investigations. I helped families stay
together by creating a Medicaid waiver for kids with significant disabilities,
and by passing a law that demands insurance companies treat families raising
children with special needs fairly. I co-sponsored a bill to expand access to
birth control to Oregon women, and we created Oregon’s first general purpose
Rainy Day Fund. I sponsored and passed the largest regulatory streamlining
initiative for the construction industry in the nation and I was also proud to
vote for the best budgets for K-12 schools, community colleges and universities
in over a decade.
As Assistant Majority Leader for Policy, I helped develop and deliver positive
solutions to Oregon’s toughest challenges. My goal in 2009 is to advance in
leadership so that I can have greater opportunities to shape the broader agenda
for Oregon’s future.
There is so much work to be done in 2009 and beyond. We need to make our
community colleges and universities more affordable. We need to proactively
address the issue of climate change, and invest in economic development projects
that bring more good paying jobs to Oregon. We must be prepared to meet the
needs of the men and women returning from Iraq and Afghanistan, and we must move
forward on real health care reform that delivers high quality, affordable,
accessible health care to every Oregonian. I want to return to Salem to do this
work.
In order to meet my goals, I need to raise another $20,000 in the coming weeks.
Please help me meet that goal so that I can continue the work I have begun. Your
online contribution today of $25, $50, $100 or more will help me meet that goal
and achieve success in November. Please click here to visit Act Blue and make
whatever contribution you can afford today. Then please forward this email to
your friends and family to see if they can help, too.
Every contribution makes a difference, and the next two weeks of fundraising are
critical to success in November!
To learn more about my campaign and my vision for Oregon, please visit my brand
new campaign website . You can also email me directly at sgelser@yahoo.com . I
am happy to answer any questions you may have.
It is a privilege to serve in the Oregon House. It is an opportunity I would not
have without your support. Thank you so much for the chance to do this work.
Sincerely,
Sara Gelser
P.S. Remember, Oregon allows a tax credit for political contributions of up to
$50 for an individual or $100 for a couple each year. This means the first $50
or $100 you contribute to a political campaign may come back to you in April!
P.P.S. Contributions, payable to Sara Gelser for State Representative, can also
be mailed to 1804 SW Brooklane Drive, Corvallis, OR 97333 in care of my
treasurer, Barbara Sackett. Thank you for your support! UPCOMING EVENTS:
August 11, 2:30-3:30pm: Coffee with Sara in Corvallis. Come join me at
Sunnyside Up for an informal conversation about the fall campaigns, and the
upcoming Legislative Session. Bring your questions, concerns and bill ideas!
September 14, Corvallis: Rock for Barack. This outdoor concert event will
feature state and local candidates, as well as the local Obama campaign. Bring
your family! More information will be available soon.
September 17: Corvallis House Builder Event at Sara Gelser's home. Featuring
Rep. Gelser, House Majority Leader Dave Hunt and other House Democrats, this
event will highlight key legislative races on the November ballot across the
state of Oregon. The fundraiser will benefit FuturePAC, the political committee
for the Oregon House Democrats. Please email Sara at sgelser@yahoo.com for more
information.
October 5: Win-PAC Brunch at Sara Gelser's home. Join Rep. Gelser, Ways and
Means C0-Chair Mary Nolan and Rep. Tina Kotek for this event which will focus on
improving women's leadership opportunities in Oregon. The fundraiser will
benefit Win-PAC, which is devoted solely to supporting first time, pro-choice,
Demcoratic women candidates running for the Oregon Legislature. For more
information, please email Sara at sgelser@yahoo.com
October 7, 7pm, Corvallis Public Library: Health Care Forum, sponsored by
Mid-Valley Health Care Advocates. This forum will feature Benton County
Democratic and Republican candidates for the Legislature, and is focused
specifically on health care issues. For more information, please contact Betty
Johnson at bjonnson2@juno.com
October 8, 9am-10am: Coffee with Sara in Philomath. Please join me at Java
Connection in Philomath for an informal conversation about the fall campaign and
the upcoming Legislative Session. Bring your questions, concerns and bill ideas!
October 14, 7pm, Corvallis Public Library: League of Women Voters Town Hall
Candidate Forum . This moderated forum will feature all Benton County Candidates
for the Oregon Legislature.
October 29, 1pm, Legacy Emmanuel Hospital in Portland: Rep. Gelser delivers
Keynote Address at the statewide Shaken Baby Syndrome Prevention Conference
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corvallis music history project update
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CORVALLIS, OREGON: HOME OF OREGON STATE UNIVERSITY |
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THE ALCHEMIST |
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An independent weekly available throughout Corvallis and on
the web at http://www.alchemist.com |
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THE WILLAMETTE VALLEY FORUM PRESENTS |
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A SERIES OF TALKS ON THE POLICY OF THE BUSH ADMINISTRATION
IN THE MIDDLE EAST, BEGINNING IN APRIL |
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the Willamette Valley Forum is a nonpartisan, nonprofit Oregon
organization of volunteers dedicated to encouraging informed discussion of
important, topical issues. To that end we are inviting respected local, national
and international authorities to provide their perspective on these issues. |
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SQUIRREL'S |
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CORVALLIS'S PREMIERE COMMUNITY PUB 100 SW 2nd |
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CORVALLIS, OREGON POET ROGER WEAVER'S NEW "LADDER OF DESIRE"
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LOCAL
MOVIES |
playing at the darkside downtown, 215 SW 4th
Street
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Hi Kids!
Friday the 1st we are holding over the amazing MONGOL, THE FALL, and
the Martin Scorsese documentary about the Rolling Stones:SHINE A LIGHT. Yes, it
will be loud.
Starting Friday the 1st we will be bringing in the dead-pan comedy THE PROMOTION
with John C. Reilly.
Coming sooner or later, probably. . . .
Gonzo: The Life and Work of Dr. Hunter S. Thompson
MAN ON A WIRE
FROZEN RIVER
BRICK LANE
WHEN DID YOU LAST SEE YOUR FATHER?
Playing Friday, July 18th thru Thursday, July 24th (click a link to jump to the
section).
SHINE A LIGHT
THE FALL
MONGOL
THE PROMOTION
OTHER STUFF
SCORSESE'S SHINE A LIGHT
The music of the Rolling Stones has lit up the soundtrack to so many Martin
Scorsese films ("Gimme Shelter" has appeared in no less than three of his
features--GOODFELLAS, CASINO, and THE DEPARTED) that it's little surprise to
find the director teaming up with the legendary rockers for this... The music of
the Rolling Stones has lit up the soundtrack to so many Martin Scorsese films ("Gimme
Shelter" has appeared in no less than three of his features--GOODFELLAS, CASINO,
and THE DEPARTED) that it's little surprise to find the director teaming up with
the legendary rockers for this concert recording. SHINE A LIGHT begins with a
few glimpses of the preparation that went into the recording of the show, which
was staged over two nights at New York City's Beacon Theatre in 2006. Scorsese
also includes some candid footage of the Stones doing a pre-show meet-and-greet
with guests Bill and Hillary Clinton, which highlights some of the different
personality traits in the band. Keith Richards and Ron Wood are the clowns,
always goofing around; Mick Jagger is the consummate professional, always polite
to a fault; Charlie Watts caries a real air of dignity, as befits someone who
enjoys a dual career as a noted jazz musician. The bulk of the movie is
dedicated to the multi-camera shoot at the Beacon, which captures the Stones
playing some of their biggest hits and a few lesser-known numbers. Special
guests such as Jack White, Buddy Guy, and Christina Aguilera are ushered on at
various points in the show, and the concert footage is broken up by some amusing
vintage footage of the band. By using so many cameras, Scorsese captures a side
of the Stones that is rarely seen, such as Watts turning to camera and puffing
out his cheeks and Richards offering encouraging words to Jack White as he exits
the stage. SHINE A LIGHT provides a welcome glimpse into the Stones' world at
this advanced stage in their career, and continues Scorsese's obsession (see
also: NO DIRECTION HOME and THE LAST WALTZ) with documenting some of the most
influential characters in rock & roll.
THE FALL--R
By Roger Ebert
Tarsem's "The Fall" is a mad folly, an extravagant visual orgy, a free-fall from
reality into uncharted realms. Surely it is one of the wildest indulgences a
director has ever granted himself. Tarsem, for two decades a leading director of
music videos and TV commercials, spent millions of his own money to finance "The
Fall," filmed it for four years in 28 countries and has made a movie that you
might want to see for no other reason than because it exists. There will never
be another like it.
"The Fall" is so audacious that when Variety calls it a "vanity project," you
can only admire the man vain enough to make it. It tells a simple story with
vast romantic images so stunning I had to check twice, three times, to be sure
the film actually claims to have absolutely no computer-generated imagery. None?
What about the Labyrinth of Despair, with no exit? The intersecting walls of
zig-zagging staircases? The man who emerges from the burning tree? Perhaps the
key words are "computer-generated." Perhaps some of the images are created by
more traditional kinds of special effects.
The story framework for the imagery is straightforward. In Los Angeles, circa
1915, a silent movie stunt man has his legs paralyzed while performing a
reckless stunt. He convalesces in a half-deserted hospital, its corridors of
cream and lime stretching from ward to ward of mostly empty beds, their pillows
and sheets awaiting the harvest of World War I. The stunt man is Roy (Lee Pace),
pleasant in appearance, confiding in speech, happy to make a new friend of a
little girl named Alexandria (Catinca Untaru).
Roy tells a story to Alexandria, involving adventurers who change appearance as
quickly as a child's imagination can do its work. We see the process. He tells
her of an "Indian" who has a wigwam and a squaw. She does not know these words,
and envisions an Indian from a land of palaces, turbans and swamis. The verbal
story is input from Roy; the visual story is output from Alexandria.
The story involves Roy (playing the Black Bandit) and his friends: a
bomb-throwing Italian anarchist, an escaped African slave, an Indian (from
India), and Charles Darwin and his pet monkey, Wallace. Their sworn enemy,
Governor Odious, has stranded them on a desert island, but they come ashore
(riding swimming elephants, of course) and wage war on him.
Roy draws out the story for a personal motive; after Alexandria brings him some
communion wafers from the hospital chapel, he persuades her to steal some
morphine tablets from the dispensary. Paralyzed and having lost his great love
(she is the Princess in his story), he hopes to kill himself. There is a
wonderful scene of the little girl trying to draw him back to life.
Either you are drawn into the world of this movie or you are not. It is
preposterous, of course, but I vote with Werner Herzog, who says if we do not
find new images, we will perish. Here a line of bowmen shoot hundreds of arrows
into the air. So many of them fall into the back of the escaped slave that he
falls backward and the weight of his body is supported by them, as on a bed of
nails with dozens of foot-long arrows. There is scene of the monkey Wallace
chasing a butterfly through impossible architecture.
At this point in reviews of movies like "The Fall" (not that there are any), I
usually announce that I have accomplished my work. I have described what the
movie does, how it looks while it is doing it, and what the director has
achieved. Well, what has he achieved? "The Fall" is beautiful for its own sake.
And there is the sweet charm of the young Romanian actress Catinca Untaru, who
may have been dubbed for all I know, but speaks with the innocence of childhood,
working her way through tangles of words. She regards with equal wonder the
reality she lives in, and the fantasy she pretends to. It is her imagination
that creates the images of Roy's story, and they have a purity and power beyond
all calculation. Roy is her perfect storyteller, she is his perfect listener,
and together they build a world.
Ebert notes: The movie's R rating should not dissuade bright teenagers from this
celebration of the imagination.
MONGOL--R (subtitled)
Award-winning Russian filmmaker Sergei Bodrov (Prisoner of the Mountains)
illuminates the life and legend of Genghis Khan in his stunning historical epic,
Mongol. Based on leading scholarly accounts and written by Bodrov and Arif
Aliyev, Mongol delves into the dramatic and harrowing... Award-winning Russian
filmmaker Sergei Bodrov (Prisoner of the Mountains) illuminates the life and
legend of Genghis Khan in his stunning historical epic, Mongol. Based on leading
scholarly accounts and written by Bodrov and Arif Aliyev, Mongol delves into the
dramatic and harrowing early years of the ruler who was born as Temudgin in
1162. As it follows Temudgin from his perilous childhood to the battle that
sealed his destiny, the film paints a multidimensional portrait of the future
conqueror, revealing him not as the evil brute of hoary stereotype, but as an
inspiring, fearless and visionary leader. Mongol shows us the making of an
extraordinary man, and the foundation on which so much of his greatness rested:
his relationship with his wife, Borte, his lifelong love and most trusted
advisor.
Filmed in the very lands that gave birth to Genghis Khan, Mongol transports us
back to a distant and exotic period in world history; to a nomad's landscape of
endless space, climatic extremes and ever-present danger. In a performance of
powerful stillness and subtlety, celebrated young Japanese actor Asano Tadanobu
(Zatoichi, Last Life in the Universe) captures the inner fire that enabled a
hunted boy to become a legendary conqueror. Asano's achievement is matched by
those of his co-stars, including the radiant newcomer Khulan Chuluun as
Temudgin's courageous, spirited wife Borte, and the Chinese actor Honglei Sun
(The Road Home) as the Mongol chieftain Jamukha, Temudgin's dearest friend and
deadliest enemy. Masterfully blending action and emotion against some of the
most arresting terrain on earth, Bodrov delivers an exciting and awe-inspiring
tale of survival and triumph, and a love story for the ages. --© Picturehouse
THE PROMOTION--R
THE PROMOTION is a low-key, deader than deadpan comedy-drama that fans of THE
OFFICE should love. The film stars Sean William Scott (AMERICAN PIE) and John C.
Reilly (TALLADEGA NIGHTS) as assistant managers dueling for the same promotion
within their Chicago-area grocery chain. Doug (Scott) is initially so sure the
job is his that he takes all sorts of financial risks to impress his wife (Jenna
Fischer); Richard (Reilly) is a transfer from Canada with an addiction to
self-help tapes, plus a druggie biker past he needs to keep under wraps as the
interview process heats up and the undercutting begins. Writer-director Steve
Conrad continues exploring his fascination with how average Americans measure
themselves and fight for their slice of the pie, a study he began in his
acclaimed screenplays for THE PURSUIT OF HAPPYNESS and THE WEATHER MAN. As a
director he's too caustic and straight-faced to be his generation's Frank Capra,
but maybe that just reflects the more complex times. THE PROMOTION captures an
America in regression, a land where once-certain futures are suddenly up for
grabs, and the film's cagey shifts from improv-style comedy to personal drama
keep one guessing all the way to the finish line. Sporting a fetching Scots
accent as Richard's better half, the diminutive Lili Taylor (I SHOT ANDY WARHOL,
THE ADDICTION) steals what scenes she can. The usually extroverted Scott gets
props for playing his emotional cards close to the vest this time, but can't
match Reilly for hangdog goofball timing.
OTHER STUFF: DECADES
There is something visceral about seeing the Whiteside trying to shake from her
slumber. Almost every night I look at the front of the old gal as an exercise in
trying not to get too nostalgic. It's so easy to wander down the path of
memories ripe with times when I was crawling through the walls, and all the
other sentences that begin with "There was the time. . . ."
We all miss the days when the Whiteside did more than divide the town between
those who long for the building to be what she once was and those who may feel
the same, but suspect that, if resurrected, the Whiteside will inhale more than
it exhales. I tumble and crash through my mind, searching for the possibility of
everyone getting what they want.
I know that as a for-profit business, she will not stay awake very long. I know
nothing about non-profits, so in my ignorance lies some hope.
To review: the Whiteside was donated by Regal to the non-profit group, The
Friends of the Whiteside. If I understand correctly, one of the conditions of
the donation is that they cannot play first run movies for the first 90 days
after release. It says nothing about the Whiteside being restricted from playing
Darkside-type movies whenever they want. Thanks for that, Regal.
As she sits now, the Whiteside is a bleak hole on the corner of 4th and Madison.
I was hoping the proposed retail development of the Whiteside building would at
least turn the building into something that was breathing. My secret hope was
that a deal could be struck so that there would be no structural changes to the
building for the retail remodel. This would mean if a non-profit ever got their
hands on it in the future (However that might happen, no one knows.), they might
have gotten an improved Whiteside. This means the restoration would start with
putting the pretty pieces back into place rather than having to start with
rebuilding the infrastructure.
For those who love segues that have nothing to do with continuity, prepare for
ecstasy.
Not so long ago it was my mom's birthday. Since we also remember the date of her
death, that gives a pretty broad hint that she would not be attending any
birthday parties. Nevertheless, it was her birthday, so my brother and I,
without speaking a word about Mom, agreed to go for a motorcycle ride on that
day. As we twisted our way down Peoria Road, I found it to be a beautiful,
refreshing day. My brother, however, did not have a windshield. It is rare for
my brother and I to ride together and not have it turn into some form of
contest. The decades have changed nothing. Very soon he was passing me, crouched
down on his tank, his wrist twisted rather gaily, finding full throttle.
Frankly, I wasn't in the mood-even though my bike's engine is three times the
size of his. [Ed: Spoken like a true Older Brother.] So I let him zoom ahead,
and watched his crouching figure grow smaller ahead of me. He and I have gotten
our share of tickets engaging in speed contests with each other. Since that was
decades ago and my insurance is as cheap as it gets, I was in no hurry to catch
up with him. After about 50 miles we pulled over for something to drink and for
him to give his own damn self a rest from the buzzing.
We talked of work and the economy and our wives and motorcycles and what we will
do when we grow up. Though we are both scaring the hell out of 50 years-old, our
conversation led us back in time to when we were a couple of crazy idiots
busting down Oregon back roads at double the speed limit with no helmets and
often a beer or two under our belts. It was a time when our mom was still alive,
no thanks to us. We would conclude our ride at the parents' house and she would
make us something to eat and listen to our watered down/less daring versions of
stories with that who-do-you-think-you're-bullshitting look moms are issued with
their first child. She wouldn't comment on the stupidity we had just engaged in
or the tickets she knew were burning a hole into our wallets. She knew.
On this recent day, I drank my water and my brother drank his Pepsi and we
filled the air between us with anything but talk of Mom. We knew we both were
thinking of her while riding on that asphalt strip between hay fields. It's why
we were out here on this particular day.
When we hit town my brother peeled off to his home with a honk and a thumbs up.
I rumbled to work.
The shadows were getting long on Madison as I moved down the street toward the
front of the Darkside. The Whiteside loomed to my right. I realize that no
matter what happens to the Whiteside, or even the Darkside, it's not going to
stop the world from turning-just like my mom's death: the sun came up again, the
very day after she passed. By not taking on the emotional weight of the
Whiteside, I find I'm a lot more pragmatic about it. I've learned not to trust
nostalgia. When I visit my old high school, I feel a glistening wistfulness.
Then I remember that high school was one of the worst times of my life, and I
have to question feeling anything but rage about soul crushing curricula, acne,
and going without wheels. When I disconnect from how I'm "supposed to" feel
about school-good or bad-I find myself in a moment of clarity where I remember
that nostalgia has nothing to do with reality.
But whether it's my mom or the Whiteside, I do feel a sense of loss. Yes, the
Whiteside might be brought back as a theater, but it will never be the old
building with musty nooks and crannies left the same since the '30s. History lay
in drawings just behind shelving or in the carvings on the walls of the
claustrophobic, sure-to-be-replaced restroom stalls. The old tube amp racks were
taken from the wall of the projection booth to make room for the solid-state
processors that replaced them. The masses will only see it as a grand venue with
a balcony and velvet curtains. Even as a restored grand venue, I will miss the
old gal, because old buildings have a different hum than old buildings made into
new ones.
Everything falls into cinematic context. It is a gift of intimacy to disturb the
dust that gathered before Luke Skywalker filled the screen with his mighty and
impressive light saber. When I picked up a box of carbon rod ends, I can believe
they are the stubs of the carbons used to strike the arc that sent the
flickering image of GONE WITH THE WIND over the heads of the audience. Hiding in
a corner behind the stage is a rusty artifact that once was a curtain motor.
Surely it parted the drapes for AN AMERICAN IN PARIS and ON THE WATERFRONT.
Finding a gold coin holds no more allure for me than finding a ticket stub from
the opening night of ET: The Extra-Terrestrial.
I am grateful for having had the old Whiteside in my life and for my mom who
knew me as I am. My mom would have understood why a piece of sound head door
glass with the peeling RCA label was something I got excited about. She
understood my treasures. She would understand what it is I will miss about the
Whiteside, even if it is faithfully restored.
As always, thanks for your continued support!
Remember what happened to the Whiteside.
Darkside Cinema
215 SW 4th
Corvallis, OR 97333
Darkside Cinema website
541·752·4161
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SPORTS NEWS
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CORVALLIS AUTHOR ALISON CLEMENT'S NEW book,TWENTY QUESTIONS
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Paul Turner's Prancing Lavender Bunnies |
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Irreverent stories about running an alternative,
locally owned, independent movie theater in Corvallis. Order
here. |
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Hits on the site in the month of June: 201,075. Some 60% of the traffic was domestic. the
remainder came from 104 countries, as well as Nearly 400 U.S. soldiers abroad.
For other nations, the top Countries (Number of hits) coming, by country, in
order: Ireland, India, Australia, People's Republic of China (includes Hong
Kong, Taiwan), Canada, Russia, United Kingdom, Japan, Thailand, France, Germany,
Netherlands, New Zealand, Italy, Peru, Dominican Republic, Brazil, Mexico,
Poland, Argentina, Belgium, Czech Republic
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Nights
in the City |
cynthia's blog from
midway farms 6980 highway 20
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Note: Noah Stroup, author of the Alchemist weekly column normally
appearing her., is in Chicago for Lollapalooza, and we are
running a blog from Cybthia, of Midway Farms, at 6980 Highway 20 NW, this week.
MIDWAY FARMS How did you get that scratch
on your forehead Cynthia?
Last night one of our young gray heritage breed turkeys decide to fly up to our
window. I walked over to talk with her wondering why she was there. She was one
we had raised from a chick. She saw me, then quick as anything flew in and
landed on my head. Apparently she lost the other turkeys & felt she needed
somewhere safe to be. Perched on moms head! Of course. I must admit it did
startle me a bit.
Our farm stand is very much like a neighbourhood farmers market. We have a lot
of families involved in the growing & making of goodies for the stand. We want
people to be involve with the farm, feel what it's like to be on the farm. See
the chickens, touch the cow. Be part of it all. I don't want to be a booth on
concrete. Maybe if you have some time to drop in to see what this crazy farmer
is trying to pull off it would be great. Let me know if your ever going out this
way.
I'm not online much because of all the work around here. The cow gets upset if
I'm not on time for milking. This evening I was deep in though while milking
Heidi our family milk cow, When POW! it hit me.... her tail that is. -Cynthia |
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WORLD NEWS
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CORVALLIS SCIENTISTS PUBLISH NEW BOOK: WHAT HAPPENS WHEN
PEOPLE THINK |
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Order
it here. |
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tHE ONLY NEWS OF GEORGE BUSH'S WARS WORTH COUNTING
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The WWI writer Rudyard Kipling, on surveying his son's grave at Flanders Field:
"And if they ask you why they
died, Tell them, 'Because their fathers lied'.
US DEATHS:
4110
("It's just a number" - Bush
administration spokesman Snow)
CORVALLIS, OREGON
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